Showing posts with label Best Albums Ever. Show all posts
Showing posts with label Best Albums Ever. Show all posts

Saturday, January 9, 2016

Loving Me 4 Me... (A 'Stripped' remembrance)


It is almost incredible that, after almost 14 years, "Stripped" still gives me goosebumps.

And it's not rare feat. After all, this is the follow-up of that self titled album that sold more than 7 million copies only in the US. Expectations were high for this one.

We can say this was the "coming of age" album from her. Tired of her conscious and careful image of her first album, Christina decided to give an 180 degrees change, and boy, for many it was too much.





"Dirrty", the first single, was met with derision and disapproval for the people who thought this was extreme for a former Disney girl (this was pre-Miley and everything, but is a recurring theme in pop music). And the video offended many sensibilities, accustomed to watch little Christina being flirty in an innocent kind of way, not in a straight-forward, come-on imagery, and very sexualized.





In an attempt to demonstrate she still had that thing that make her famous in the first place (her tremendous and skillful voice), she released her behemoth ballad, "Beautiful", and a classic was born. Sung until the end of times in every karaoke competition and "The Voice" blind auditions held, she had the opportunity to recover from the 'failure' of her first single, and made herself immortal with this, well, beautiful ballad about love and acceptance.




One of the recurrent themes from "Stripped" was a desire to be loved for who you are, and self-acceptance. She made raw confessions about family abuse in themes like "I'm OK", the problems she had with her father and how she overcame them in "Fighter", and made self-esteem anthems with "The Voice Within", "Soar" and "Keep On Singin' My Song". Very personal themes, that made us discover a very fragile and vulnerable Christina, that fought all of her youth life to find a voice and found an escape in music, which ultimately saved her and made her the person she was at that moment.



Of course, this album was full of bangers, too. Songs as the rhythmic female-anthem "Can't Hold Us Down" featuring former "Marmalade" collaborator Lil' Kim; "Infatuation" with its latin-infused beat; the pen-assisted Alicia Keys semi-duet "Impossible"; sultry come-on "Get Mine, Get Yours"; or the Sugababes rip-off "Make Over", this album had a little of everything for everyone.



But definitely what made Christina a Legend was definitely THE BALLADS. The aforementioned "Beautiful", "Cruz", my all-time favorite "Loving Me 4 Me" (channeling the Mariah-whistle register, sounds crazy and beautiful), and of course "The Voice Within". She definitely had this thing going on, where she can bare her soul in one note, and she was amazing for that.


Ultimately, this album was all about empowerment, confidence, feminism, being able to stand up for yourself, and love all around. "Dirrty" may have been a misleading single because it was all about sexiness, dirtiness, and little to no clothes, but perhaps she found suitable to shock the world to be heard, and boy she succeeded at that.

That is why, 14 years later, this is one of my favorite albums of all time. Listening to it today, many memories came to mind, and I appreciate the effort Christina put in this material, working with many great producers and making an album very long (almost 74 minutes), but very rewarding in the end.


What do you think about this album? Do you feel it is a classic, or way overrated? Sound off on the comments, I'd love to hear from you!


Thursday, April 18, 2013

Stupid Sexy Dubstep

You know when you say you hate one thing and then you discover this thing is the best thing since slice bread and then you fall in love with it and you don't want to, reluctantly getting away from it and then all of your thoughts and dreams are about that thing you thought you hate and now all you can say is.... "That is so stupid. And sexy. Damn!"

That's what happens to me and dubstep.

For all you people that still thinks that dubstep is a series of noises and grunts and more noises... Well, you're right. But that's the beauty of it: trying to find some sense on the chaos. And definitely dubstep is as chaotic as it gets, which I think is the main ingredient for rave parties and the like.

Dubstep has been accused to promote the consumption of drugs and I sincerely think that's bullish. I mean, I have went to a lot of raves and even though I've seen people getting high and stuff, I think the most powerful drug is the music itself, so I've never needed a mind-altering substance to put me in the mood. Especially with this type of music.

I don't wanna bore you with the story of dubstep. Suffice to say, Dubstep and pop now seem to be having a symbiotic relation not seen on the past. Well... Circa 2007, an almost demented Britney Spears released what for me is the best album of her career, and one of the gems included in this was the supreme "Freakshow", which would not sound as your standard 2013 dubstep, but definitely includes a wobbly bass line, being that one of the main hallmarks of this rhythm.



And of course, her 2011 single "Hold It Against Me" has a great dubstep breakdown, which really astound me the first time I heard it and it remained my favorite part of the song.



That song has been regarded as the one that introduces dubstep into pop music on such mainstream way, but let's not forget that another artist who took an awesome song (by Avicii, nonetheless), and turn it into a pesudo rap-dance-house-electronica with a dubstep breakdown, and became a monster hit. Of course we're talking about "Good Feeling", a rip-off of "Levels" by Avicii, which also uses a "Something's Got a Hold On Me" sample by Etta James.



Undoubtedly, the most famous dubstep musician is Skrillex. The Grammy-award winner released his first album as Skrillex on 2010, and then became a household figure with "Scary Monsters and Nice Sprites" and the album by the same name. Dating Ellie Goulding didn't hurt, either, although nowadays he has more fame than her. Anyways, Skrillex has made a cult around him that is spreading faster than AH1N1 virus and remixing songs for such artists as Lady Gaga, Black Eyed Peas, Katy Perry, among others. His latest effort, "Bangarang", also made him win a Grammy for Best Dance Recording and Best Dance album, so definitely big things are coming on his way.









There's more to say of this awesome movement, but I prefer the music (and video) do the talking: if you're into pop (and assuming you're reading this blog for that solely reason) you will enjoy the next selection of pop-meets-dubstep music I gather for your amusement. And of course, if you know more music, please let me know in the comments. That will be highly appreciated. Enjoy!






















Bonus! The title of this post comes from a Simpsons episode which I think would be fitting to the first paragraph to this entry. So enjoy this remix of the whole thing. No dubstep, but equally worth it!



Sunday, April 14, 2013

Artist of the Week: Toni Braxton


When I first heard that Ms. Toni Braxton was retiring from music, I was just heartbroken. How could that be? Refraining from a title of one of her songs, "How could an angel break my heart?" That was just heart-wrenching, soul-crushing and devastating, to say the least (?). Truthfully, she was one of the main stars of the 90's era, a voice so recognizable and exquisite, a real gem of the R&B of that decade.


So for the past two weeks I have been paying homage to this R&B royalty, because it's really amazing what she had accomplished with her music. And although all of her money problems and severe health issues, she is still standing like a true warrior and giving her best at what she does.


Coming from a musical family (The Braxtons, which now are starring on an infamous TV reality show) to stardom as a soloist, Toni is a force to be reckoned. And although her latest efforts (both Libra and Pulse) haven't had the same success has her first albums, that doesn't mean she has lowered her quality on them. Alas, the world of music is a conjunction of good tunes, killer looks AND great promotion, something she had lacked on her recent efforts.

On a similar fashion as Mariah Carey, she started as a baladeer with glimpses of pop music intertwined on her first album, conveniently titled Toni Braxton, a trend that was followed on her most succesful effort, commercially and critically speaking, Secrets. But then things changed and she started to sound more urban and contemporary, losing some of her clothes on the process but never her musical integrity, and that's a positive thing.







To spice things up, Toni decided to make record on a more urban style, and embarked on a  journey enlisting some of the heavy weights on hip hop at the time. It's funny to see all those great divas hanging out with all those gangstas that only talk about bitches and hoes and money and buzz, but I guess they were more polite and behaved around them.







But enough of the chit-chatter, let's just enlist my favorite songs from Toni on alphabetical order. Hopefully we coincide on some of the tunes, and if not, please let me know in the comments below:

"Another Sad Love Song" - This was Toni's first top ten hit on Billboard and the song that established her as a musical Prodigy. The song and video are so elegant and provocative at the same time. This is one of the finest examples of the 90's R&B and one of her signature songs.



"Come On Over Here" - A track from the Secrets album, this mid-tempo song reflects a more mature singer that is comfortable with who she is and aware of what she wants. Seriously, this song falls in my category of "Baby-Making Songs" for a reason. It's so groovy. A perfect fit for the mood of this particular album .



"Gimme Some" - This is a track for The Heat and, boy, it's so sultry and steamy as a hot day here on Monterrey, but you know, with lesser icky feeling. Featuring a rap of the late Lisa "Left Eye" Lopes, the innuendo of the song is not so much as other songs from her. She is so straight forward about it, that I cannot see any heterosexual man refusing to this offer. Great song.



"He Wasn't Man Enough" - Lucky me, she just released this song at the time I was so into American music. That year (2000) was one of the best of my life. With a music video that starts so cheesy but evolved into a hip-hop drama starring Robin Givens, of Mike Tyson fame. Definitely one of her signature Works and one of the best songs from this lady. At this point in life, it hasn't lost any of its magic touch, and that's an achievement.



"Hit The Freeway" - This Pharrell - Neptunes effort from the More Than a Woman album encounters Ms. Braxton on a tricky situation with one of her lovers, where she's giving him the finger and taking him out of her life. Why this song had no success, is still a puzzle for me. But it's a really well-made song, and Toni is more in point tan ever. Of course, a little rap in the beggining and that was it. A real gem.



"I Belong To You" - Although her first album is full on ballads, this is easily one of the most uptempo songs from that record, and definitely one of the most alluring. Not a ready-for-the-dancefloor tune, but one that has to be danced slowly with your current lover. I imagine that and gives me chills.



"Let Me Show You The Way (Out)" - Definitely Toni has a preference for songs talking about heartbreaks and deceitful men in her life. But preferably on a rhythmic note. This is by far one of my fave faves from her, it has it all: Groove, great lyrics, and the always great voice of this diva. Using a great sample of "The Impressions", this is definitely a worthy single. Too bad she didn't choose it, but nevertheless the song has a place in my heart forever.



"Lookin' At Me" - As mad as I was for the Pulse album underperforming on the charts, I was blown away on how good the songs off that record were. This song is definitely worthy of a spin, and she sound so confident once again, and her voice amazingly hasn't changed a bit throughout the years.



"Make My Heart" - I'm so furious that this song didn't get the attention it deserves, because, frankly, it is amazing. The 80's vibe of it, courtesy of Evely Champagne, and an equally amazeballs video, depicting all of the 80's cliches in a manner so amusing... I mean, this song was meant to be a great hit, but instead remained as a definitely astonishing and larger than life tune. So maybe in a near future she will sing this song in a concert that I will attend, and that would make my life complete.



"My Ring" - This is not a track that you could find on an album of Toni. It's more like a B-Side that somehow manages to be a great song and then got retitled on the Pulse record as "The Wave". But I enjoy more this version. The theme is about a woman bragging about her new man and of course, her new ring. What else?



"Sposed To Be" - This track from Libra is really another "Baby-Making" song. This type of R&B it's really a trademark for her, and she delivers as a pro.



"Take This Ring" - And of course, we come to the Rich Harrison song, with that Motown vibe that made such hits as "1 Thing" by Amerie or "Crazy in Love" by Beyoncé. This is definitely single material, and I'm blown away by the fact that she (or the label, go figure) skipped it. And yet, this song is so infectious and groovy I tend to listen to it like 3 or 4 times each time I'm in the mood for it. I mean, the chorus is just magnificient and makes me wanna move in so many ways, ha! With a sample from "The Meters" and the usage of trumpets and horns, this is guaranteed shaking-and sweating whenever you listen to it.



"Un-Break My Heart" - Officially the first song I heard from her and, boy, never looked back. Making up a word is one thing, but turning into a beautiful concept and traslate all the emotions and feelings that come with it, it's so fantastic. I don't have many words to describe this song (awe-inspiring comes to mind), but it's beyond that. With so many artists covering this song as well as in English as in Spanish, this song became a success for her in so many countries where R&B is not that powerful and thanks to it, she become a full time diva and a superstar in her own right. Eleven weeks at the Billboard Top 100 are a true proof of that. And the song sounds as fresh as the first time, a true test of whether a song is good, great or a classic. This one sure falls in the last category.



Aside No. 1: On the video the actor and model Tyson Beckford made a glorious appearance. I mean glorious! He also appeared on Britney's "Toxic", so there's that.
Aside No. 2: Dont' you think Toni looks so resembling of Halle Berry on this picture?I think she does!

 

"You're Makin' Me High" - A Babyface production, this mid-tempo sure is another entry to my "Baby-Making" songs. And this is because it's so mesmerizing. And enticing. Play this song and I'm sure you will be making love through the whole thing (no pun intended). The video is so fun and boy, those guys are... well. I'm not so keen about the hair-do she's sporting (it looks like a bad wig), but definitely this is a signature song for her and a really splendid one. Play this once and sure you're going to keep it on repeat. A funny thing I just found out: this song was sampled on a Method Man and Redman collabo for a soundtrack of "How High", because, you know, getting high is something those two do on a regular basis. But you don't need weed or anything else to enjoy this fine piece of music.



Summarizing: I think we need more Toni on our lives, and I'm so sad that she's retiring, but I'm confident enough she has plenty of music to give it all to us on a medium term. Meanwhile, we must take a listen to all of her albums to notice how terrific she is and the influence she has had on the R&B world as we know it today.



I will be glad to listen from you, so if you like this post (or not), please let me know on the commentaries. Hope you have enjoyed this post, and you consider giving Toni Braxton a spin on your music player!

Monday, July 2, 2012

New Music: Garbage, "Not Your Kind Of People"

Hola a todos! Esta sección hablará de los nuevos lanzamientos que vaya escuchando y me gusten. No soy crítico de música... bueno, no uno que le paguen, pero espero que mis opiniones les decidan a escucharlos, al menos en Internet. Si son pudientes, pues a comprarlos de iTunes o en su discoteca favorita (¿quién usa esa frase hoy en día? ¡jajaja!)


Garbage ha sido desde sus inicios un grupo importante dentro del rock pop mundial. Recuerdo que la primera canción que escuché de ellos fue Only Happy When It Rains y me gustó por su atmósfera depresiva, al igual que su letra. Pero cuando verdaderamente m atraparon fue con >"Version 2.0" y esas inolvidables canciones, Special y When I Grow Up, y su momento James Bond en The World Is Not Enough.

Sin embargo, el grupo no ha tenido el mismo impacto comercial que tuvo en sus inicios, cosa injusta considerando que "BeautifulGarbage" es su mejor disco hasta ahora en su carrera (para mí, al menos). Lo cierto es que su fórmula noventera a muchos les parece ya desgastada, aunque no me imgino que un virtuoso como Butch Vig, quien fue capaz de cambiar el rumbo de la música con Nirvana y su "Nevermind" del 91, sea capaz de hacer música "de fórmula". Me niego a creerlo.

Y luego, después de una ausencia de más de 6 años, llega "Not Your Kind Of People". Sinceramente, si esperan la reinvención de Garbage como grupo y una nueva era buscan en el lugar equivocado. Garbage no cambiará su forma de hacer música, pero al final del día, a la gente que nos gusta ese grupo nos encanta saber que la banda seguirá refinando su sonido cada vez más sin traicionar sus raíces y ofreciendo canciones de calidad, que aunque no lleguen a ser sencillos, al menos traerán de regreso aquella época tan ideal de nuestras vidas que fue los 90's.



Y no es un disco aburrido, al contrario. Si bien su lado electropop ha quedado relegado a un par de loops en algunas de sus canciones, siguen teniendo esa melodía y ritmo que hicieron un éxito a canciones como Stupid Girl o Vow, hasta Cherry Lips (Go Baby Go). Aquí se encuentran dosificadas, pero sin duda alguna están y hacen que el disco se convierta en un viaje sonoro que nos remonta a las mjores épocas del grupo, con una mejor ejecución y madurez que sólo el tiempo puede brindar.

Aunque debo reconocer que su elección como primer sencillo, Blood For Poppies, no fue la más acertada, el disco merece una oída para todo aquel que recuerda a este grupo como uno de los pilares del rock pop de los noventa. Sin duda será de su agrado y les recordará que estos señores, porque ya son cincuentones, realmente son talentosos y definieron el sonido de una era en la cual muchos de ustedes crecieron.



¿Y qué otra cosa quieren que la maravillosa voz y presencia de Shirley Manson? Una verdadera belleza, con una presencia casi etérea.


Espero poder escucharlos en vivo pronto.

Canciones favoritas: Automatic Systemtic Habit, Big Bright World, I Hate Love, Man On a Wire, The One.