Showing posts with label Songs I Love. Show all posts
Showing posts with label Songs I Love. Show all posts

Saturday, July 4, 2015

Come Back To Me.. (Janet Is Back!)




Today I want to celebrate the news that Janet is releasing an album this fall by doing it in the only way I can for news like this one: listening new Janet's "No Sleeep" until I, well, fall sleep. (BTW, it's not a typo, the three "e" are intentional).



I mean, it's friggin' Janet Jackson, FFS!! I'm in heaven right now.

She's also doing a world tour, so definitely she's ready for her comeback. And she deserves it.



"No Sleep" is a return to form to the old Janet: the sultry, passionate, temptress and seductive Janet that we all love and admire. And she's back with the team that started it all: Jimmy Jam and Terry Lewis are the producers of this blast, and let me tell you, they did a marvelous job, combining their hypnotizing beats with Janet's incomparable voice, and the result is magical.

So welcome back, Janet! We were expecting for you, but you made sure to give us plenty for your comeback!

Did you like the song, or you think she should have released something more like "All For You 2.0"? Sound off in the comments!

Sunday, July 6, 2014

What a difference a year can make....


Looking back, this has been a pretty good year in music. But we're still expecting that song that blow us away and make us swoon all over. But in the meantime, let's take a look back at what some of our favorite artists (and some others) were doing on July 2013, and how they are doing today. This should be fun.


ROBIN THICKE



July 2013: He was enjoying the success of "Blurred Lines", of course, song of the summer 2013, and ready to drop his then new album, also titled "Blurred Lines". He was the flavor of the month, with a beautiful wife, and things seemed pretty well for him, after years of struggling making a mark on the world of music. Only good things seemed to come in his way.

July 2014: "Blurred Lines" proved to be a one-trick pony for him, although the album was full of good tunes, but none of them made the same impression on the general public. He twerked along Miley, got accused of misoginy by his lyrics, get separated from his wife, and made an embarrasingly new album ("Paula") as a plea for forgiveness, but really, no "Blurred Lines" here. Not even "Lost Without U". Only sad, pathetic and shameful tunes. Oh, and also, got eviscerated on Twitter, but again, who doesn't?






BEYONCÉ




July 2013: She was in the middle of a world tour, and giving several teases of new music and a much awaited album, which fans (including me, of course) were waiting impatiently. In the meantime, she was having fun, and maybe (maybe) mocking all of us who were really growing desperate for our dosis of new Bey's music.

July 2014: Of course, it's her year. Dropping a full self-titled new album out of nowhere, with her corresponding music videos, and embarking on a new tour with her husband. Of course, nothing is perfect, and after all the hoopla about her now infamous elevator brawl between her sister, Solange, and her husband, and an implying accusation of cheating towards Jay Z, they have done nothing to harm her image and her reigning on pop. After all, she's Queen B, y'all.







IGGY AZALEA




July 2013: She was still an unknown commodity on the US, but the UK was well aware of her antics. She was about to embark on an Australian tour (where she is from) as an opening act for Beyoncé, Her still untitled album was supposed to drop at the time, but the label decided to postpone it, much to her disdain. But things were about to get interesting for her, obviously.

July 2014: Well. First off, she managed to tie The Beatles as a new artist having a No. 1 and 2 with her official first single (the omnipresent "Fancy" featuring Charli XCX and Ariana Grande's "Problem" as a featured artist) on Billboard Charts. And then, being the first female rapper (yes, she IS a rapper, an australian white one) to be at the top of Billboard for 6 weeks in a row. And, obviously, being dissed by Nicki Minaj, but again, who doesn't? 







MARIAH CAREY



July 2013: Mariah was on the verge of having her second big comeback, via releasing her expected album which she entitled "The Art of Letting Go", but she postponed it for some reason. The album was already well awaited after "#Beautiful", that song with Miguel which was just great. And after a much publicised gig on American Idol, along with "Frenemy" Nicki Minaj (both hated it), thing went all sour.

July 2014: Finally, she released her new album, with the astounding name "Me.I Am Mariah: The Elusive Chanteuse" (no kidding here). That title certainly didn't pick the interest of the general public, since it's the first Mariah release to not achieve 100,000 copies at the first week, making it a lowest in her career. The bad thing? The album is really good, much better than 2009's "Memoirs of an Imperfect Angel" (Oh, Mariah, you and your titles). Maybe she should go back to name her albums on a single word. They have been the most succesful.






SAM SMITH




July 2013: Sam already made a No.1 hit with "La La La", a Naughty Boy track, on the UK, and it was about time to start making music on his own. He was unknown at the time on the US, but it was very clear that great things were ahead of him.

July 2014: And ideed great things came for him. He released his album, "In The Lonely Hour", which went to No. 1 on the UK and No. 2 on the US. He's now friend with Taylor Swift, with granted, made him kind of famous on the US and of course it helped to create a lot of buzz around him. But clearly, this guy is talented, and deserving of the success he is having.




So yes, a year can be a difference between success and failure. And it definitely a lot of things can happen in such a tiny frame of time. So remember: you can still find love, become rich and have a great career in music one year from now. What are you waiting for? Go get it! But remember: hard work is always part of the ecuation. Simple as that. Cheers!


Looking over my shoulder
I was so much younger then
I can't believe what happened
A year ago today
Delta Goodrem, "A Year Ago Today".

Sunday, June 22, 2014

Gaga, Kelly and Richardson: too sexual? Get out of here!


This week, footage of the not-released video of "Do What U Want" song by Lady Gaga was leaked...







Basically, a sexy medical appointment (!) with R. Kelly, a supposed gynechologist (!) and scenes from her seminaked, dancing around some tabloids and covered only with newspapers. Nothing particularly shocking, by Gaga standards.


But then, the Internet exploded, accusing Gaga of promoting rape. New York Post commented: "Gaga had a video by an alleged sexual predator, starring another sexual predator. With the theme 'I'm going to do whatever I want with your body'? It was literally an ad for rape."


And you know what? I wholeheartedly agree with that.


Let's look at the facts, shall we?


1. "Do What U Want" was one of the few songs from "Artpop" album that gained notoriety despite the risquee lyrics. The phrase "Do what you want with my body" is not exactly a subtle invitation. but Gaga was very clear that this was intended for all the "haters" that made comments about her body.


2. Then, in an act of revenge (?), she decided to make this cover for the single:


as a big "Fuck You" to all her detractors. Coincidentally, this photo was taken by Terry Richardson, the director of "Do What U Want" no-video (more on him later).


3. The song is a mixture of synth pop and R&B, with a ver 80's vibe. So accordingly, she decided to recruit R. Kelly, who has made that particular sound a trademark of his own. Many outlets were not happy with the duet partner, given the background of Kelly, which includes 'allegedly' having sex with underage girls and peeing on women, not mentioning the fact that he was accused of marrying Aaliyah (RIP) when she was 15. The nerve.


4. The song was not meant to be released, although being a fan-favorite, and with the cold reception towards the already-announced second single, "Venus", Gaga and her team decided to give it a shot. By this time, "Artpop" had failed to reach the heights of their predecessor album, "Born This Way", so a plan to save the album through this song was put on motion.


5. Gaga heavily promoted DWUW through all over the media. Here, the two most controversial presentations, both with R. Kelly. To me, these two are, at best, overrated, since Gaga has been doing real performances with all so much gimmick and better results.







6. Gaga recruited famed Richardson to shoot the video for DWUW. Richardson had recently made his way through the video media with positive outcome. Among others, he directed Miley Cyrus' "Wrecking Ball" (no strange to controversy itself) and Beyoncé's "XO" (which seems odd since 'Yonce is very much aware who she associates with). Richardson had a very high profile in Hollywood, with his risquee and at times rauchy portfolio, which for me is also way overrated.






...again, no subtlety here (can you start to see the pattern?) Besides, Richardson has been deemed a "creepy guy" and recently some models alleged that he has conducted inappropiate sexual behavior towards them. He maintains his innocence, because you see, he only photographs sexual imagery, he doesn't perform it. Alrighty, then.


7. So, after all this, Gaga deemed appropiate to shoot a video featuring R. Kelly and directed by Richardson, because why not? The joke tells itself. But then, on an unexpected move, she decided to drop completely the project, at that time blaming "others" that wanted to damage her integrity and artistry and so on. Gaga, queen of controversy, decided to pull off something that reads "controversial" since this inception.


But now, it seems very clear that even for Gaga this was more than what she bargain form, and we can't blame her. According to the images, Gaga is somewhat sedated and then they decided to have a party with her while unconscious. R. Kelly as a bad doctor is somewhat discomforting, and we cannot really fathom what was Gaga thinking at the time she made this video.


Then again, we will wait impatiently for it to come out, so we can judge accordingly.




In the end, DWUW is really a great song, and thus I decided to stick (pardon the expression) with the Gaga/Christina version, another controversial decision, more on the line of  "I never in life thought these two would sing together, I thought they hate each other" category than in the "OMG! This is so raunchy even for my standards" category. And for me, this works better. Cannot embed the video, so please follow the link if you haven't been blessed by that performance. Heaven, indeed.


So sound off: is it truly "shocking" this no-video for Gaga? Have you seen it coming? (Again, sorry for the pun).

Sunday, March 9, 2014

I'm hot & cold towards "Dark Horse" video...

So finally, after months of waiting, the "Dark Horse" video went online and boy, this was an experience...



I mean, we know Katy has a thing for goofiness (e.g. "California Gurls" video) but this is taking it to a whole new level.

First off: do I like the video? Well, duh! This is one of my favorite songs from her, so yes, I do like it. It's so deliciously camp, kitsch, ridiculous, and therefore, amazing.

But then, "Dark Horse" has been an odd thing for Katy since its premiere back in September last year. The unexpected rise on the charts, without proper promotion, propelled the song to single status once "Unconditionally" failed to meet the expectations - and high chart numbers. Then, DH became number 1 on the US charts, assuring Katy hern 9th number one overall, and we were delighted for that.

 

 
But there was no video, uncommon for a number one song on Billboard at that status. Katy was teasing us with a great and much talked about performance at the Grammy's, and many of us thought this was indeed the theme of the video. Boy, we were so wrong.
 
 




So Katy took almost another month (!) to complete the video, and finally, we met her latest incarnation: "Katy-Patra", queen of Memphis, Egypt, which happens to share name with the city in which Juicy J was born. And also, very reminiscent to Michael Jackson's "Remember The Time", which seems fitting since they're the only ones with 5 number one singles from one album.


 
 
Sorry to say, but this has nothing to do with the song or the lyrics. And I'm not talking about that stupidity of "There's no horses on this video!" (seriously, people are so literal and one minded at times). Also all the controversy surrounding the pendant with the name of "Allah" in Arabic (on this note: people should consider to get a job or a life, or both. Seriously). Or the Illuminati shit, who is tedious, redundant and in serious need of a boycott on the Internet.
 
 
 
 
The thing is, this is a great song, a very different side of Katy, which shows her versatility and it was the perfect opportunity to make a statement regarding her musci and status on pop. Instead, she went safe, giving exactly what we expected from her. Well done and executed, but safe, nonetheless. This song, being a risky departure from her previous number ones (Excluding "E.T.", a song that can very well be the genesis of DH), deserved that treatment.
 
But this video is definitely a blast, likable and it sure will be a hit among kids and KatyCats (myself included). There are some GIFs to prove it:
 
 
When the bass drops.... The beat goes hard! Even in ancient Egypt.
 
 
 
 
Katy Patra and her grillz... (Seriously, this is overly camp. Also, amazeballs.)
 
 
 
This was the source of so much pain and hatred towards Katy, but to be honest, it holds nothing and it only proves some people need to develop a thicker skin (I'm not entering into religion here, thank you very much.)
 
 
 
I think I got the craves for some Hot Flamin' Cheetos.... Katy-Patra would approve.
 
 
 
Katy-Patra likes the finest thing in life (this causes another stir within the Illuminati crowd...So much fuss.)
 
 
 
Using her powers to destroy her enemies (and their careers)
 
 
 
Most of the budget sure went to make-up... She looks gorgeous.
 
 
 
Pimp my Ride Egyptian Style...
 
 
 
This little fella sure is getting away from all this madness...
 
 
 
 
Who would have known that there was a stripper soul underneath Katy? And I mean this in the most honest way possible... That split is maddening...
 
 
 
My favorite scene of the video. It should have lasted longer... This is really something.
 
 
So this is another positive note on Katy's career, but I need her to be more risquee and willing to take chances... She already won our hearts, she can do it.
 
 
And lastly, the most WTF moment of a video full of them....
 
 

 
 
The power of Katy-Patra, y'all!
 
How do you feel about this video? Let me know in the comments!



Sunday, October 6, 2013

Is Britney still relevant...?

Judging from the success of her new song, I should dare to say: YES.


 
 
There was a time in history that Brit Brit was undoubtedly a tour-de force in pop music, when it first came out with "...Baby, One More Time". She established as a pop star that gradually and eventually took over the world, without seemingly too much effort.
 
And then it came all of her struggles, because that's what happens with every other Disney princesses every now and then. But she, like a phoenix, returned to her former glory and eventually gained back her throne, which has been disputed for several times and apparently no one can take it from her.
 
 
 
Which brings us to the subject on hand. After 15 years of more hits tan misses, do we still care about what Britney does in life? After she has been accused several times of lip-synching, not dancing as well as before, and basically being a shadow of the great Britney she once was?
 
Let's do the music do the talking this time, please:



So fine, "Work Bitch" is not even remotely the best song from Britney. In fact, it is quite underwhelming, compared to other first-singles from previous albums ("Oops"? "Womanizer"?). But it quite enjoyable and in tune with what is "cool" and "fashionable" in this day and age.

Which frankly, is one of her best assets. Being one tiny step forward of all her peers, always offering something that feels new and fresh, amid all the disposable music that plagues the airwaves (or bandwidth, to be more precisely).

 
 
For the first time in years, Britney looks alive and more like a human being, instead of that robotic image she has been sporting lately. And even we all know she can't dance as well as she used to do it circa 2001, at least she is doing her own moves, which mostly consists in jazz hands and being standing still or laying on the floor.
 
But we cannot deny that Britney has something appealing on her. And we enjoyed every little thing she does. That's why, after all these years, we are still attracted to her allure, despite her many, many flaws, and I think that in itself is quite an achievement.
 
 
 

 
So, for me, it is a yes. A definite yes. It's up to her to improve her legacy, now with the residency she's about to head up on Vegas. And a new album on December. So yes, we still have Briney for a  while, bitch.


Thursday, August 22, 2013

It was meant to be a showdown... Katy vs. Gaga, so WHAT HAPPENED??

 
 


So for all diva-pop lovers out there, last week was really a great week, for it saw the birth (at least on our ears) of the two most anticipated releases of Summer-Fall 2013: Katy Perry's "Roar" and Lady Gaga's "Applause".





So this should be great, right? Two of the most important pop acts of the recent years decided to go head to head and show their best assets, in order to appeal their respective group of avid fans and show them how they have evolved into something more substantial than your flavor-of-the month-type-of-hit and establishing themselves as a mature pop act.

But actually, for me, it was somehow disappointing.

And don't get me wrong: both songs are very, very good. For another artists, they would be excellent and prime first singles. But for all the hype surrounding both releases, I think they come as a kind of off-putting songs and not punch-you-in-the-face great singles.


 
Let's start with the one that, for me, takes the cake. "Roar" is your quintaesential powerful song, make-you-feel-good and definitely poppish single that you can expect from Katy. Not exactly what Katy have had hinted at us a while ago. I mean come on. "Roar" can perfectly be a great third single for "Teenage Dream". And I say this while I adore this song, with its sing-along feeling and upbeat message, I feel a little bit fooled into it. If Katy had indeed buried the "Teenage" era, this single would have been very, very different.
 
And then you get the comparisons with Sara Bareilles' "Brave".



Honestly, the only thing alike between these songs is the intro. But frankly, I find myself enjoying Sara's better than Katy's. Why is that so? Like I said before, this song is great for an artist with not much expectations like Sara, and I don't mean this as direspectful for her. It is just that she's as indie and not mainstream as Katy, but I consider her to be as a honest and heart-warming as it gets.

My rating for Roar: 8 out of 10. Great song, not first single material.


 
Oh, GaGa, GaGa. How can I say this delicately? If Katy was hyping her song, GaGa definitely was promising the next Holy Grail of music, the new Bible of pop, and so on. Instead, we get this "The Fame" B-side, which obviously is great (that album is for me one of the best debut of any artist EVER), but not what "ArtPop" implied. It's a very danceable track geared towards GaGa's fan base (obviously, Little Monsters) and deals with the same fame concept of her first album. And the video itself is pretty artsy and over the top, as usual GaGa. But let's be honest: after the meat dress, I find it hard to be shocked about what GaGa will do next.



Besides, let's be honest: The whole "ArtPop"experience, with an App and everything involved, is something that has been done before. Does someone remember "Biophilia"? And apparently, Björk is now the center of "affection" of GaGa, since the team of directors of her new video is the same for Björk's "Hidden Place", back in 2001.



(And no, I'm not implying GaGa is plagiarizing Björk. She could NOT pull that off NEVER IN LIFE).

My rating for Applause: 7 out of 10. "The Fame" revisited, not in "ArtPop" way.

So, as of today, Katy is the clear winner of this showdown. She had succeeded GaGa outselling "Applause" in nearly the double of digital copies, which is the new way to measure this thing, along with the You Tube number of views. And plese, don't get me started on the desperate attempt of GaGa of getting more downloads and You Tube hits, which of course is as lame as it sounds and a signal that she's definitely NOT confident about her own choice of a first single.

But, in all seriousness, there is no winner at all. I'm expecting more of their next singles, and the albums. So far, I'm not really impressed.

What is your favorite single of these two? Let me know in the comments!

Saturday, July 20, 2013

Justin vs Robin: Crooners of the decade, but who is the best?

So definitely you have heard that song that is so good, well produced and with an excellent collaboration, with this white guy singing smooth R&B over an infectious beat. And of course, a controversial video, with nude supermodels dancing arond and the fully clothed singer strutting around like he just doesn't care, with innuendos and lyrics deemed "rapey" by some hardcore feminists.

Now, make a guess: which artist I'm talking about?

 
 
It is so common on pop music, and for that matter in any musical style, that comparisons between two seemingly similar artists arise, especially if those artists are almost indistinguishable one from the other. And no, I'm not saying this is the exact case between Justin Timberlake and Robin Thicke, but oh boy it has been a fun summer trying to spot the differences (if there's any).


 
 
Of course, credit goes where credit is due. Robin was the first one back in 1999 to start experimenting with this suave R&B formula that ultimately became his signature style. First as a producer of several songs for mainly pop acts (including one of my faves from Christina Aguilera's debut album, "When You Put Your Hands on Me"), and then started a solo career that took off with the release of "When I Get You Alone", a fine and excellent mash up of R&B and classical music courtesy of Beethoven. If you haven't listened it, please be my guest. It's just amazing.







Meanwhile, Justin was on the top of the world with 'NSync and the whole boy band hysteria of the 2000's. But somehow, it was very clear that his fate was not meant to be attached to those guys for long (pun totally intended). So in 2002 he embarked in a solo adventure, with a huge pay-off. "Like I Love You", his frist single and a clear homage to Michael Jackson, both musically and stylishly, met his ready-for-stadiums appeal and his R&B influences, and get a positive response. However, "Cry Me a River" was THE song, after a much publicized breakup with then beau Britney Spears, that launched him on superstar-level.






It is clear that the most successful of those two has been Justin, but clearly this is no Robin's fault. Each album he has done have been consistently good and improving on every aspect. But no doubt about Justin power on music, and he has developed a certain charisma that only superstars can achieve.










(I deliberately put songs similar in style so you can spot very well how these artists have been doing for the past years, and how a person with no knowledge of music and celebrities can easily confound them).

Frankly, I always thought Robin deserved much more attention and recognition. Fortunately, that pretty much changed this year when "Blurred Lines" hit the airwaves, and of course, that infamous video came out. How exactly the video has been helpful to the success of this song? I would dare to say that on a great scale. The song itself is excellent. With the help of Pharrell (who seems ubiquitous this season, don't you think?) and T.I. and a kick ass rhythm, this is the quintaessential summer tune. But the video, with three topless supermodels, certainly made his own indelible mark on pop culture and certainly put Thicke on the A-List of pop music, a place that I'm sure he won't let go for a while. I'm not going to discuss if the video is anti-feminist or derogatory to women; if you take a look on his work pre-Blurred Lines, you will know he's the crooner by excellence, always singing love songs with a smoothness that shows us how devoted he is to the feminine figure, so in my mind, this is just an attempt to reach a wider audience through controversy and of course, talent. Which he certainly achieved.



And then, Justin, which was on a hiatus on music trying to achieve a decent film career, came with the glorious and mature album "The 20/20 Experience", a concept album with sound going from pop, R&B, soul, and many influences, and instantly became a hit. Many people realised that this more stylish approach was very Thicke-influenced, but then the third single "Tunnel Vision" came out and well, we are talking some major blurred lines over here. A state-of-the-art video featuring (just wait) naked woman, over an infectious beat, summer-ready and definitely, the comparisons over the years became so much clear. To be honest, the Tunnel Vision concept is more stylized, and really a great video, but it's clear that whatever muse has inspired these two, is clearly giving them pretty much the same advice.



Let's just list the similarities:

1. Both songs refers to a very serious eye-related conditions.
2. Both songs are very R&B influenced.
3. Both songs are produced by very-recognised hip hop and  R&B producers, who also happen to made a cameo in the corresponding video and sang certain lines in it.
4. Each video has been censored by You Tube for "sexual content", and later reinstated "because of the art" (?).
5. On both videos, all women appear nude, meanwhile men are fully clothed and stylish.
6. Both songs mention on their lyrics stuff that has infuriated feminists, accusing them of being "misogynists" and "disrespectful towards women". The lines? "I know you want it" (Robin) and "I know you like it" (Justin).
7. Both song are really great.

So, who's to blame for all of this? Have they realized about this whirlwind that they created? Are they comfortable with this situation? And ultimately, who cares? There's plenty of room for every other artist, and if they decided to improve musical scenery by making excellent pop music, so let them. Maybe they will provide inspiration for many other male acts and that will be great, since it has been rough times for a male pop act to really stand out on the pop scene in a while.




But on the meantime, you have to decide which one is the best for you. For me? I guess I can easily spend some quality time with both of them and enjoy making music together. Oops... I guess that didn't come out as expected. (Again, pun totally intended).

So shut up and enjoy their music. With the lights off, please.

Sunday, June 23, 2013

10 years of being "Crazy In Love" with THAT song!

 
 
I'm thinking every pop connoisseur like myself remember exactly where we were when we first heard this GLORIOUS song. Me, I was at an Internet café, which were very popular at that time (10 years from now! I'm getting so old). Looking up on the web, I encountered the announcement that Beyoncé song was available for download, so I proceeded to did the obvious, and oh, boy, I've never looked back since.


 
 
 
 
I have to be honest: I didn't immediately dig it. A song so atypical of that time, with horns, trumpets, and the like, and a very 70's vibe so unlikely for that era. I mean, not the current sound on the charts (mostly filled with hip hop collaborations and R&B contemporary sounds). But then, this song and the magnetic sample courtesy of the Chi-Lites changed the face of the pop, R&B and hip hop music, for sure.


 
 
 
The song gradually grown on me and everyone else, and it was a matter of time for it to reach number 1 on the Billboard charts for eight straight weeks. That's an accomplishment itself, but being the first single as a soloist, Beyoncé really knew how to made an impact on the public. Of course, Jay Z's rap was also responsible for its success (I'm very proud of the fact that, still to this day, I'm able to sing the Jay Z's part in its entirety).
 
 
 
Rich Harrison was the producer of this gem, and of course his popularity went through the roof with this one. Many artists worked with him, and he produced several hits trying to revive the success of this sound, but none of them took him to the levels that this song reached. And that's fine, so many great songs and artists came out of this effort. Just to name a few:








 
 ...and so many others.
 
The legacy of this song, besides the fact that established Beyoncé as a global superstar, is that brought a breath of fresh air to the sound of the 2000's, so plagued with disposable rappers, hip hop collaborations and a declining on pop music. So basically, this song, using a sample of a 70's song, established a model to be followed by many artists and a sound so fierce, as her moniker Sasha Fierce would tell us years later.


 
Of course, this song has been covered many times, but my favorite is the current version of Emeli Sande and the Bryan Ferry Orchestra, in a 20's spirit and it showed this song is indeed timeless.


 
Oh, Beyoncé, this song of yours is already unforgettable. Here's to another 10 years of being 'Crazy in Love' about it! 

Saturday, May 11, 2013

Songs That I'm Currently Obsessed About...

Here are a list of the songs that are on heavy rotation on my iPod and my Spotify account (BTW, there will be a ost about this great, great program, I promise!). In no particular order:


1. "Radioactive", Imagine Dragons. I mentioned it on a previous post, and I will say it again; this is golden pop. This group, although indie on their basis, made such a great pop electronica blend in this track, that it's irresistibly delicious. The video, I'm no fan of it, but it's fun nonetheless. I predict great things for this band if they continue on this route. Amazing, haunting and provocative song.




2. "Get Lucky", Daft Punk. The return of this excellent electronica band,after a 3 year hiatus, is salted with an ode to the pop made at the end of the disco era and the beginning of the 80's. Like I said on a post on the You Tube video: "It's kinda ironic that this song, with a sound so reminiscing of said era, sounds so feriouciously refreshing among the bland pop of the Justins, Rihannas and Harlems out there". And I stand for that sentence. This is the sound of an iconic band.




3. "Come & Get It", Selena Gomez. I know, I know, Selena is pre-manufactured, Justin Bieber's hearthtrob, how on earth, bla, bla, bla. And yet, this song is so infectious with their Indian influences and slick move dances courtesy of this fine young lady. Many people would say this is a desperate attempt to stay relevant in a market filled with easy-forgettable pop young acts; I say, for a girl that is developing a sense of growing up without betraying her roots, this is a great pop song, as it is.





4. "I Love It", Icona Pop. There's a fact that states some of the best dance music comes from Sweden. So it's no surprise that this duo of girls stormed the scene with this club banger, rightfully entitled "I Love It", aware of the meaning of that phrase. We really came to love this song. Really powerful, and of course this is only the beginning for these girls. To get ready for the dancefloor.





5. "White Noise", Disclosure Feat. AlunaGeorge. Granted, EDM is taking over the world one beat at a time. So DJ's are now the rock stars of this era. And this duo of UK DJ's did a great job with this gorgeous song. Mesmerizing since the first listen, it goes well for both club hungers and indie folks alike, who would appreciate the take of Aluna George and the lyrics. A really playful and marvelous track.





6. "Can't Hold Us", Macklemore & Ryan Lewis Feat. Ray Dalton. Some people would accuse this this singer of being another cheap and lame Eminem impersonator. I said: "back off!" This is the real deal. Macklemore sure is clever and current, and his music is actually cool, giving odes to some old school a-la 70's music. This song, appropiately using a black guy on the chorus, gives me a warm sensation and made me feel good when I listen to it. And that what songs should do for us.





7. "Sail", AWOLNATION. Definitely not my type of music, but there's a hypnotic quality on this song that it is imposible to resist. Rock and electronic music always make a great combo, and this epic song futher proofs that corollary, and then some. Not a geniune blast like other songs, and it get a few listens to be liked, but this is something you better not overlook.





8. "#thatPOWER", Will.i.Am Feat. Justin Bieber. Everything that Will did wrong with Britney, now it is done well, except for the horrendous title (seriously, people should stop using the # sign, it only looks well on Twitter). Justin sounds decent, but the production of this sure-to-be pop anthem for the 2013 summer is spot on, and the video is really amazing, with the choreography and all. Again, not the best song out there, just a funny one.





9. "Suit & Tie", Justin Timberlake Feat. Jay Z. Now a married man, this fine gentleman is delivering some serious music that still manages to sound cool and breezy - the 'breezy' part courtsey of the music mogul Jay Z. The beginning of the song could well be on the loop of my iPhone ad-infinitum, and the video is really well executed and precious, on a black-and-white motif. All in all, a great comeback for Justin.





10. "Poetic Justice", Kendrick Lamar. The only thing that does for me in this song? The Janet Jackson simple from "Any Time, Any Place" song. Whatever thet has Janet's signature on it, it's a yes-yes-yesss on my book. And if it is as clever as it is in this song, that's a bonus. And of course, Drake, that man is ubiquitous, and rightfully so. He's so tight in all these collabos, really amazing.



Hope you like them all!