Last March 8th, David Guetta was here, on Monterrey. I didn't attend the concert. due some personal issues, but a friend of mine went and recorded some videos from me, and by the look of it, it was amazing!
Please check my You Tube channel, so you can enjoy all videos that I upload of this DJ. The rave was just great and I definitely missed a great gig, but thanks to the magic of recording, I feel like I was there. And as a plus, not my annoying voice singing along with the music!
Enjoy and leave some comments!
Thanks for your contribution, Adrian. You're such a great friend!
Sunday, March 31, 2013
Sunday, March 24, 2013
Artist of The Week: Mariah Carey
As a remains of my OCPD days, I choose an artist on alphabetical order to grace my week, listening to their music and albums and watching their videos (if I find myself the time to actually do this). This past two weeks, though, belonged to an actual great artist that I can't seem to get tired of: Ms. Mariah Carey.
Mind you, I've been a huge fan of hers since the days of "Fantasy", a personal favorite of mine and a song that is still heavy on my iPod playlist. In fact, I think that part of the appeal of Mariah has always been that safe combination of corniness and sincerity both lyrically and musically. Let's be honest: who chooses to be compared to a butterfly and record a song and video which clearly didn't star any of those little creatures?
Only one commentary about her gig on American Idol: Aside of my feelings about Nicki Minaj, I thought Mariah would have been so much better on it if she were the only female at that table. And she deserved that, being virtually the resposible for half auditions on that show. On her Wikipedia page, I loved a line that textually says: "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." That's how far it goes when we're talking about Mariah influence on that shows, but you can see she is not feeling comfortable on that role.
It is hard to say which tunes are my favorite when it comes to Mariah's music, but it's clear that each and every album has some jewels that I cherish and appreciate everytime I listen to them. Whether it is because of the music, the vocals or the lyrics, or if they are attached to a specific situation on my life, her music has always been a great part of me and what I like about pop.
So, to recap and in alphabetical particular order (remember my obsessions with that), here they are: my favorite Mariah Carey tunes (I even made ringtones of them, how's that for a fanatic??):
"Boy (I Need You)" featuring Cam'ron - One of the greatest examples on how Mariah can mix hip hop and a rapper to her favor. Besides, that sample of "I'm Going Down" by Rose Royce and the "Boy, Oh Boy" snippets repeated ad nauseam give that song a charming feeling, indeed.
"Breakdown" featuring Bone Thugs-n-Harmony - Lyrics here are quintessential Mariah. Besides, this is a fine R&B song with hip hop verses about losing love, something we all can relate to. Video is also amazing.
"Did I Do That?" featuring Mystikal - One of those gems from the "Rainbow" album, which itself is very consistent. In this one, she's lamenting for a mistake dating a man who is clearly not suited for her. Wait a minute - this could be easily targeted at Eminem in a beat. So Mariah predicts the future, too!
"Didn't Mean to Turn You On" - For me, "Glitter" is a really superb album. It's a departure of what Mariah had done prior to that, and although the movie is not great and she uses so many guests on the album, the music was so unjustifiably categorized at the same level as the movie did, which is totally a no- no. And this song, a cover of a 1984 Cherelle song, it's basically an ode to one of those times you send the wrong signals to someone (inadvertantly or on purpose), only to left them aroused and in need of a cold bath. Fun(k) song, very Prince-y.
"Dreamlover" - Even though I consider this a schmaltzy syrupy song, I really adore it. It's so basic, you have to care for it. Testament of the simpler times that the 90's were. :(
"Fantasy" - There are songs that are so indelibly attached to one artist, that you cannot conceive their careers without them. And I think this is the song for Mariah. A global success and one of the few songs to debut at the top of the Billboard chart, when that meant something. And that sample of Tom Tom Club, "Genius of Love", was simply amazing! This was the 90's for me, essentially. And it's nice to get back to those days; with this song that is possible.
"H.A.T.E.U." - The last album of Mimi, "Memoirs of an Imperfect Angel", is not easily one of my favorite albums from her, but this song reminded me why I fall in love with this girl in the first place. Harmony, melisma, lyrics, is all there.
"Honey" - This was the Mariah 'coming of age' song. Maturity and a new sound came along, and of course a little sexiness, why not? It's like a divorce and a new found freedom brings the best of her. And of course, the infectious chorus with the always syrupy lyrics really made one of those songs that are so recognizable. Props to her, to get to a new level that many of her fans were waiting for a long time.
"I'm That Chick" - Personally, I prefer Mariah's uptempo numbers, because she is so much fun in them. In this song, out of the E=MC2 album (a name that is so nerdy many people wondered if Mariah knew really what it meant), she proves that she's not strange to rhythmic songs and she can make a step or two on the dance floor. Obviously, with a little help of the King of Pop, Michael Jackson, sampling "Off The Wall", his best era, this is foolproof. I wish this would have been a single, with a proper video and all, but hey! We get an Offer Nissim remix, so that counts, right?
"Shake It Off" - This was taken by that force of nature that was her "The Emancipation of Mimi" album. A song so fun for me, and with a rhyming and pace that I just enjoy thoroughly. The only person that could avoid this jewel to hit number one was... well, herself. Amazing.
"Someday" - A fun song from the first album, "Mariah Carey", that was number one and confirmed us that Mariah also like to have fun.
"Sweetheart" - Back in the day, circa 1998, this woman touched everything and turned into gold. So it came to no surprise that she decided to throw a Greatest Hits album consisting in all of her "#1's". Seriously, she had so many. But also with some new songs, being the primary single this one. So infectious and continuing the tradition of one word, corny titles, that it had proved to be so efficient.
"We Belong Together" - Jermaine Dupri is half-responsible for this comeback single that put Mariah on the stars again after the disaster that was "Glitter", both album and movie, and the so-so performance of "Charmbracelet", a good album with a bad timing. And oh boy, that was some comeback. This song represents something important to me. Having my first real breakup with one person I cared about, this song became my oficial anthem of the heart-broken. I literally cried whenever I heard it. And although now I laugh at that possibility (crying for that person, WTF was wrong with me?), the song still gives me the chills and more. So powerful. 14 no-consecutives weeks on number one and being named "Song of the Decade" by Billboard gotta mean something, am I correct?
"Without You" - Now, this is officially the first song I heard from her, back in the day, and positively I can say that I haven't looked back ever since. A cover from the group Badfinger, with a formulaic treatment and yet Mariah delivered some of her finest notes in here. Superb.
To rest my case: Mariah is a super talented woman, that has been highly criticized for a style that would seem easy to accomplish and maintain, but definitely she's a trendsetter, a woman that has had their troubles and failures like everyone else, but remains as a strong female and a reference on pop music, whether you like it or not.
So are you a big fan of Mariah? Hopefully you loved this post. If not a fan, I hope this little tribute opened your ears to a great artist, and you start listen to her. Sound off on the comments!
Via Trend Mixer
Mind you, I've been a huge fan of hers since the days of "Fantasy", a personal favorite of mine and a song that is still heavy on my iPod playlist. In fact, I think that part of the appeal of Mariah has always been that safe combination of corniness and sincerity both lyrically and musically. Let's be honest: who chooses to be compared to a butterfly and record a song and video which clearly didn't star any of those little creatures?
Via Mix 101.1 FM
But that doesn't mean a thing when you got the talent and pipes of this woman. Let's be honest: at some point of the life, many artists tried very hard to be like her. Hell, even half of American Idol alumni have tried to emulate her, one way or the other. For an artist that has been in the game for about 23 years now, and had 18 number one hits, more than Elvis Presley and two behind The Beatles, which itself is a great accomplishment.
Via Cotibluemos
And let's not forget about the music, please. Since the first time I heard her with the aforementioned "Fantasy", I loved her lyrics, so saccharine and mellow but for good. The usage of big and unusual words for a pop singer ("nonchalant"? "persuade me to relinquish my love"? "despondency"?) (That last song, "Petals", is really a poem, about some personal issues, you should check that out) I really think she's underrated as a lyricist, but boy, those songs are amazing, and I actually blame her for teaching me so many big words to look OK among my peers in any given situations.
Her voice. Man, the source of much debate. She has stated so many times she is an alto, but really, who cares? Her voice is like the one of an angel. In her first period as a singer, she was very into melisma and other vocal acrobacies, but then she stopped and tried different approaches to her voice, although she didn't abandon her roots (case in point: "We Belong Together", another great, great song and personal favorite). Seriously though, how awesome is it? I long for the day I get to watch her live, and hear that glorious voice of her, and everything will be fine in life.
In the 90's, at the beggining of her career, Mariah seemed to found the perfect formula for success: strong, poppish, one-word first singles ("Fantasy", "Dreamlover", "Honey"), super powerful torch and arena ready ballads ("Hero", "Always Be My Baby"), great covers ("Without You", "Open Arms", "Against All Odds") and generally, a soul vibe in each album that reflect her commitment to her art. All of this while being married at the music mogul Tommy Mottola. Later, she embarked on a self-discovery journey that involved having LOTS of hits with famous rappers (after all, she set the trend with her 1995 collabo with Ol' Dirty Bastard on, what else? "Fantasy", of course). I think she had worked with them all... well, except Eminem, of course, although the collaboration they had, according to Eminem, was not exactly musical. (Mariah is not amused). Even she did a song with Nicki Minaj, before all the bad blood and eye-rolling and passive agressive commentaries on American Idol, which would be funny if it wasn't so staged. Or at least that's what everybody say. But seriously, she has worked with all the rappers you might think of, mostly the current favorites at that time. And I considered that a bless and a curse, since she has overused that resource and now seems to be only a guest in her own songs. But she's Mariah; she can do whatever she wants and us, fans, can't complain at all, because SHE is in it.
Only one commentary about her gig on American Idol: Aside of my feelings about Nicki Minaj, I thought Mariah would have been so much better on it if she were the only female at that table. And she deserved that, being virtually the resposible for half auditions on that show. On her Wikipedia page, I loved a line that textually says: "Depending on how you feel about public humiliation, the best/worst parts of American Idol are the audition shows, which normally break down into three distinct parts:(1) The Talented Kids.(2) The Weird Kids.(3) The Mariahs." That's how far it goes when we're talking about Mariah influence on that shows, but you can see she is not feeling comfortable on that role.
It is hard to say which tunes are my favorite when it comes to Mariah's music, but it's clear that each and every album has some jewels that I cherish and appreciate everytime I listen to them. Whether it is because of the music, the vocals or the lyrics, or if they are attached to a specific situation on my life, her music has always been a great part of me and what I like about pop.
So, to recap and in alphabetical particular order (remember my obsessions with that), here they are: my favorite Mariah Carey tunes (I even made ringtones of them, how's that for a fanatic??):
"Boy (I Need You)" featuring Cam'ron - One of the greatest examples on how Mariah can mix hip hop and a rapper to her favor. Besides, that sample of "I'm Going Down" by Rose Royce and the "Boy, Oh Boy" snippets repeated ad nauseam give that song a charming feeling, indeed.
"Breakdown" featuring Bone Thugs-n-Harmony - Lyrics here are quintessential Mariah. Besides, this is a fine R&B song with hip hop verses about losing love, something we all can relate to. Video is also amazing.
"Did I Do That?" featuring Mystikal - One of those gems from the "Rainbow" album, which itself is very consistent. In this one, she's lamenting for a mistake dating a man who is clearly not suited for her. Wait a minute - this could be easily targeted at Eminem in a beat. So Mariah predicts the future, too!
"Didn't Mean to Turn You On" - For me, "Glitter" is a really superb album. It's a departure of what Mariah had done prior to that, and although the movie is not great and she uses so many guests on the album, the music was so unjustifiably categorized at the same level as the movie did, which is totally a no- no. And this song, a cover of a 1984 Cherelle song, it's basically an ode to one of those times you send the wrong signals to someone (inadvertantly or on purpose), only to left them aroused and in need of a cold bath. Fun(k) song, very Prince-y.
"Dreamlover" - Even though I consider this a schmaltzy syrupy song, I really adore it. It's so basic, you have to care for it. Testament of the simpler times that the 90's were. :(
"Fantasy" - There are songs that are so indelibly attached to one artist, that you cannot conceive their careers without them. And I think this is the song for Mariah. A global success and one of the few songs to debut at the top of the Billboard chart, when that meant something. And that sample of Tom Tom Club, "Genius of Love", was simply amazing! This was the 90's for me, essentially. And it's nice to get back to those days; with this song that is possible.
"H.A.T.E.U." - The last album of Mimi, "Memoirs of an Imperfect Angel", is not easily one of my favorite albums from her, but this song reminded me why I fall in love with this girl in the first place. Harmony, melisma, lyrics, is all there.
"Honey" - This was the Mariah 'coming of age' song. Maturity and a new sound came along, and of course a little sexiness, why not? It's like a divorce and a new found freedom brings the best of her. And of course, the infectious chorus with the always syrupy lyrics really made one of those songs that are so recognizable. Props to her, to get to a new level that many of her fans were waiting for a long time.
"I'm That Chick" - Personally, I prefer Mariah's uptempo numbers, because she is so much fun in them. In this song, out of the E=MC2 album (a name that is so nerdy many people wondered if Mariah knew really what it meant), she proves that she's not strange to rhythmic songs and she can make a step or two on the dance floor. Obviously, with a little help of the King of Pop, Michael Jackson, sampling "Off The Wall", his best era, this is foolproof. I wish this would have been a single, with a proper video and all, but hey! We get an Offer Nissim remix, so that counts, right?
"Shake It Off" - This was taken by that force of nature that was her "The Emancipation of Mimi" album. A song so fun for me, and with a rhyming and pace that I just enjoy thoroughly. The only person that could avoid this jewel to hit number one was... well, herself. Amazing.
"Someday" - A fun song from the first album, "Mariah Carey", that was number one and confirmed us that Mariah also like to have fun.
"Sweetheart" - Back in the day, circa 1998, this woman touched everything and turned into gold. So it came to no surprise that she decided to throw a Greatest Hits album consisting in all of her "#1's". Seriously, she had so many. But also with some new songs, being the primary single this one. So infectious and continuing the tradition of one word, corny titles, that it had proved to be so efficient.
"We Belong Together" - Jermaine Dupri is half-responsible for this comeback single that put Mariah on the stars again after the disaster that was "Glitter", both album and movie, and the so-so performance of "Charmbracelet", a good album with a bad timing. And oh boy, that was some comeback. This song represents something important to me. Having my first real breakup with one person I cared about, this song became my oficial anthem of the heart-broken. I literally cried whenever I heard it. And although now I laugh at that possibility (crying for that person, WTF was wrong with me?), the song still gives me the chills and more. So powerful. 14 no-consecutives weeks on number one and being named "Song of the Decade" by Billboard gotta mean something, am I correct?
"Without You" - Now, this is officially the first song I heard from her, back in the day, and positively I can say that I haven't looked back ever since. A cover from the group Badfinger, with a formulaic treatment and yet Mariah delivered some of her finest notes in here. Superb.
To rest my case: Mariah is a super talented woman, that has been highly criticized for a style that would seem easy to accomplish and maintain, but definitely she's a trendsetter, a woman that has had their troubles and failures like everyone else, but remains as a strong female and a reference on pop music, whether you like it or not.
So are you a big fan of Mariah? Hopefully you loved this post. If not a fan, I hope this little tribute opened your ears to a great artist, and you start listen to her. Sound off on the comments!
Saturday, March 16, 2013
I wanna Scream & Shout... for this song to go away!!
According to an article on the always reliable BBC, some music is meant to get stuck in your head no matter how you cope with it. That's fine: there are thousands of songs out there meant to be that way (like The Harlem Shake and some other stuff) and I suppose many people can find that very amusing. Unless, of course, that song is so hideous you just want to get it out of your brain by any means possible.
That would explain my animosity towards this effing song I just can't get out of my head...
Don't get me wrong: I love both Britney and Will.I.Am. As a pop craver, I should do. But basically, all their conjoined efforts seem to produce such distasteful music that I think they ought to stop these collaborations and make better music. On their own, of course.
I don't know what it is about this song. Maybe it's the repetitiveness of it, the lyrics oh so basic, Britney sounding nothing like her, awful video... I could go on and on. And yet, I find myself humming and chanting the chorus on my way to work, or when I get a bath, or when I'm listening to much better music.
Then, we got the remix of the frigging thing, because why not? Of course, it's ten thousand times worse than the original, if that's possible.
But hey, that video and song had reached number 3 on Billboard, have million of views on You Tube and made headlines on such themes as lip-synching (seriously?), so what do I know??
I just wanted to scream and shout, and let it all out... see? I did it again.
Damn song.
That would explain my animosity towards this effing song I just can't get out of my head...
Don't get me wrong: I love both Britney and Will.I.Am. As a pop craver, I should do. But basically, all their conjoined efforts seem to produce such distasteful music that I think they ought to stop these collaborations and make better music. On their own, of course.
Via Rap-Up
I don't know what it is about this song. Maybe it's the repetitiveness of it, the lyrics oh so basic, Britney sounding nothing like her, awful video... I could go on and on. And yet, I find myself humming and chanting the chorus on my way to work, or when I get a bath, or when I'm listening to much better music.
Then, we got the remix of the frigging thing, because why not? Of course, it's ten thousand times worse than the original, if that's possible.
Via TBO Hip Hop
But hey, that video and song had reached number 3 on Billboard, have million of views on You Tube and made headlines on such themes as lip-synching (seriously?), so what do I know??
I just wanted to scream and shout, and let it all out... see? I did it again.
Damn song.
Friday, March 8, 2013
One degree of separation: Cheryl, Ciara &... Lana??
So, Cheryl (of Girls Aloud, former Ashley Cole wife and former X-Factor judge fame) has a new song, that I'm obsessed with: "Ghetto Baby".
She looks classy and beautiful in this video, and certainly ghetto at the same time, and for some reason she reminded me to another artist, who she has nothing to do apparently (although I find out they have the same taste in men, as evidenced by the fact Ciara dated 50 Cent and Cheryl's boo is the male dancer she's gropping in the 'Ghetto...' video):
So I'm not saying these songs are identical in any sense, but the theme and dances in them looked so similar. Ciara is more like an urban motif, stylish and boyish at the same time (in reference to the song, of couse), whereas Cheryl's has more of a soft, contemporary look on it.
But I guess you don't know at first who wrote Cheryl's song, do you? Any guess?
Nope, at first I didn't see that relation neither. And here we are: Lana Del Rey composed this song. I'm not sure if it was meant to be for Cheryl all the way, although I'm sure is far away of the sound both artists are known for, and I guess Ciara will be more fitted to the style and theme of the song. And I have to say, Cheryl sounds more Lana-ish on that song that Lana herself, which is quite something.
Then again, Lana's album is full of surprises. I just recently heard her "Born to Die" album and Ghetto Baby made sense after all. Lana's style has been accused to be too pop for indie, but I guess there's something undeniably charming about her. Some people say her 15 minutes are up, but I think we will be definitely hearing more from her. If not for her music, which is totally amazing, she's like a fashion icon, bringing back the glamour of the 40's and 50's, in a very David Lynch kind of thing.
Although many people will remember her for her stranded and awkward presentation at Saturday Night Live, which, in all honesty, started bad but were getting interesting as Lana was feeling more in control on the stage. At least she was not lip synching, like other people used to do, which is something we have to be grateful for.
But again, who in their right mind have thought these three artists, so different in their backgrounds and sounds, will have something in common (at least in my mind, of course)? Anyone?
I guess that was just me, then.
Monday, March 4, 2013
Let's do the "Harlem Shake"... Or not, whatever!
It was inevitable... Let's talk about the No. 1 song on the US, according to Billboard.
"Harlem Shake" is the new sensation on the Internet. It is literally everywhere. This song and its story is so unbelievable and viral, that even the Simpsons have created their own version. But what is exactly the appeal of this song?
I don't know, exactly. As a fan of electronica, hip hop and pop, and of course all things popular, I should be an easy target for this song. As I definitely was with "Gangnam Style" (remember? The sensation of last year? Never mind), which I definitely think is a great song, despite its origin and viral success, and of course, the silly dance. But this?
Don't get me wrong. I think the memes are great fun. The concept is a novelty too: A group of people hanging out, unaware that there's a dancer in the room dancing crazily and nonsensically, and after the musical bridge, everything erupts, and we watch them all go nuts. Basically, anyone can do their own version of Harlem Shake. Even the guys at the Company I work did it. And it's hilarious. But this song No. 1?? I mean, not even "Gangnam Style" did that, and I thought it was well deserved. At least, that song was meant to be an irony of the lifestyle of the rich and famous of South Korea. But I don't think the message is too profound in this one.
But what do I know? I mean, song is a success, viral videos of the dance are spreading like cockroaches infesting You Tube, and all is fine and great. And I guess I should make amends with it, and not take seriously this crazy trend, and have fun and maybe create my own Harlem Shake. Will you care to join me? Or not, whatever...
And finally, the animal edition of the Harlem Shake! I'm at peace now.
"Harlem Shake" is the new sensation on the Internet. It is literally everywhere. This song and its story is so unbelievable and viral, that even the Simpsons have created their own version. But what is exactly the appeal of this song?
I don't know, exactly. As a fan of electronica, hip hop and pop, and of course all things popular, I should be an easy target for this song. As I definitely was with "Gangnam Style" (remember? The sensation of last year? Never mind), which I definitely think is a great song, despite its origin and viral success, and of course, the silly dance. But this?
Don't get me wrong. I think the memes are great fun. The concept is a novelty too: A group of people hanging out, unaware that there's a dancer in the room dancing crazily and nonsensically, and after the musical bridge, everything erupts, and we watch them all go nuts. Basically, anyone can do their own version of Harlem Shake. Even the guys at the Company I work did it. And it's hilarious. But this song No. 1?? I mean, not even "Gangnam Style" did that, and I thought it was well deserved. At least, that song was meant to be an irony of the lifestyle of the rich and famous of South Korea. But I don't think the message is too profound in this one.
But what do I know? I mean, song is a success, viral videos of the dance are spreading like cockroaches infesting You Tube, and all is fine and great. And I guess I should make amends with it, and not take seriously this crazy trend, and have fun and maybe create my own Harlem Shake. Will you care to join me? Or not, whatever...
And finally, the animal edition of the Harlem Shake! I'm at peace now.
Sunday, March 3, 2013
A funky oddissey on Monterrey... Jamiroquai!
For the people that read me on my Twitter, it is pretty obvious that I'm a concert lover. And although this year I'm not planning to go to many concerts like I did in recent years (unless they're for free, of course), I just started this year with one of my fave bands of the 90's: Jamiroquai. And let me tell you, what a perfect start!
For me, a fine 90's breed, this band summarizes everything that I loved back on those days. The first I heard from them was that awesome song and video "Virtual Insanity", a signature song from this group and a clear omission on the concert. However, since the first moment they got on stage, the magic was there and we got the chance to be transported back to that era where the alternative and popular collided, and many groups that were a fussion of many influences and genres came to life, Jamiroquai being one of the finest examples of this kind.
But one thing is for sure: the charismatic leader of the band, Jay Kay, has no longer the energy and the moves that were his trademark on videos like that of "Virtual..." or "Canned Heat". Which is not a bad thing, I mean, he's 40 and all, but in order to maintain the illusion, it would have been nice to watch them perform all his dance steps and acrobacies.
Another thing of this concert was how long were the performances of each song. Evidently, many hits were left behind, favoriting longer versions of such hits and songs that, according to this site, weren't performed prior to this tour. All in all, it was a great decision, and certainly the band has great musicians that put a nice and special touch in every song.
Definitely I was looking forward to this concert and I'm not disappointed by the result. And of course, that only can mean I'm obsessed with their music once again, so sue me if I reference it later on another posts I will make in the future.
And once again, please take a tour on my You Tube page, where I decidedly will put every single concert I will go for the rest of my life, only for your viewing pleasure. That's me, all giving spirit. Ha!
For me, a fine 90's breed, this band summarizes everything that I loved back on those days. The first I heard from them was that awesome song and video "Virtual Insanity", a signature song from this group and a clear omission on the concert. However, since the first moment they got on stage, the magic was there and we got the chance to be transported back to that era where the alternative and popular collided, and many groups that were a fussion of many influences and genres came to life, Jamiroquai being one of the finest examples of this kind.
But one thing is for sure: the charismatic leader of the band, Jay Kay, has no longer the energy and the moves that were his trademark on videos like that of "Virtual..." or "Canned Heat". Which is not a bad thing, I mean, he's 40 and all, but in order to maintain the illusion, it would have been nice to watch them perform all his dance steps and acrobacies.
Another thing of this concert was how long were the performances of each song. Evidently, many hits were left behind, favoriting longer versions of such hits and songs that, according to this site, weren't performed prior to this tour. All in all, it was a great decision, and certainly the band has great musicians that put a nice and special touch in every song.
Definitely I was looking forward to this concert and I'm not disappointed by the result. And of course, that only can mean I'm obsessed with their music once again, so sue me if I reference it later on another posts I will make in the future.
And once again, please take a tour on my You Tube page, where I decidedly will put every single concert I will go for the rest of my life, only for your viewing pleasure. That's me, all giving spirit. Ha!
Saturday, March 2, 2013
Why Gotye should have won Song of The Year on The Grammy's (even if he wasn't nominated...)
On a prior post I talked about Grammy's night and how it represented an important event for all people like me, who loves music and popular culture all rolled into one pretty package. And certainly, it was one hell of a night, in a good way, of course. Maybe not all of the winners were right (in these awards, they never are, actually) and maybe not all the performances were spot-on (talking to you, Carrie Underwood & Frank Ocean), the night was delightful and there were moments so glorious. But I will let anyone to decide which ones made the cut.
Right now, I’m going to ramble about an omission so obvious, I actually thought was some kind of sick joke: my favorite song of 2012, the omnipresent “Somebody That I Used To Know” (and I’m not being hyperbolic here, it was literally everywhere) NOT nominated as “Song of The Year”. Like, WTF?? Yeah, the song penned as THE song of 2012 (aside of the annoying “Call Me Maybe” which in fact was nominated) and one of the best-selling digital singles of all times. You may say: “that doesn’t mean this song is actually good”, but you know what? IT IS!!
But like I said, these awards are not known for recognizing deserving people of the work they are nominated –or win - for (looking at you, Milli Vanilli). And apparently, for the Grammy people, those were not enough reasons to even nominate the damn song for said award. So despite that, and the fact that it’s not possible to went back in time and change a thing, I’m going to list __ reasons why, if nominated, “Somebody…” would’ve been easily “Song of The Year”, in no particular order:
1. The lyrics. For some reason, this is the kind of song that goes directly into our systems because we can all relate to it in some level. Who among us has suffered heartbreak and a rupture so bad that you shut the person completely off of our lives and pretend they don’t even exist? Or had an encounter with your ex and decide to give him or her cold shoulder, just for the sake of it? And all those feelings are well reflected in all 4:05 minutes that the song lasts. My favorite line? “You can get addicted to a certain kind of sadness…”. I knew that feeling, :(
2. The video. OK; I know at first could be gross looking at Gotye’s ugly feet, but you can’t deny it is so simple and yet beautiful. I was reading the other day that you can juxtapose the video with the feelings depicted in it; for instance, Gotye symbolizes the beginning and foundation of the relationship (thus all the coloring and painting over him), and beautiful and talented Kimbra was the downfall and termination, her being unpainted and nude at the end. Well, that’s what I thought I read, but it makes a nice analogy, don’t you think?
4. Even Prince love this song... I mean, coming from him, that's got to be one of the best compliments someone can give it to you, right? I mean, that's just... awesome, to say the least.
5. This song evidently is a one hit wonder... Maybe not the last time we heard about Gotye, but I'm not positive he is going to reach higher levels tan those he achieved with this song... Hopefully I'm wrong, but this is a testament of the power of a great song, and the legacy he's handing to the world. And for that I respect him.
And that, my friends, is all I have to say about this exquisite song. For me, one of the greatest songs of this decade, at least. How about you? Do you feel the same way about it, or is it just me that goes nuts for it? Sound off on the comments!
And of, course, a cat-and-mouse version of "Somebody That I Used to Know", because the Internet and why the hell not??
On why am I switching to English mode
When I decided to create a blog I wanted to make sure this was a project I was so interested about. I decided to create it in Spanish, being my mother language and all. But for a long time, I was wondering if I was comfortable talking about American and English music, movies et al, in Spanish and I came to the conclusión: "There's no way this came out and be good!"
Don't get me wrong. I love Spanish. I think is one of the most precious languages in the world. And I'm very glad to have it as my mother language. But for the purposes of this sole blog, and the matter of reaching a wider audience to it, I think I'm gonna stick to English.
Hope you like the change and join me in this adventure. I'm gonna try to post it more often and I guarantee you it's gonna be amazing! Well, not sure about that, but I will do my best! :)
Enjoy!
Don't get me wrong. I love Spanish. I think is one of the most precious languages in the world. And I'm very glad to have it as my mother language. But for the purposes of this sole blog, and the matter of reaching a wider audience to it, I think I'm gonna stick to English.
Hope you like the change and join me in this adventure. I'm gonna try to post it more often and I guarantee you it's gonna be amazing! Well, not sure about that, but I will do my best! :)
Enjoy!
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